The listener, whom all musicians are trying to reach, doesnt have to be able to analyse the music. He doesn't necessarily have to know how it's put together. But if a music can reach him, he becomes part of the music. He adds his response to the continuum of experience that keeps alive what a musician does, as it affects so many different kinds of consciousness in ways he cannot possibly conceive.

There are lots of works of art which even the most up-to-date public won't be prepared for, no matter how uneasy this may make them. Instead the composer brings himself into line with them, who just want a kind of aural libido. But music isn't there to hinder thought.

Irrlight, Cyborg, Mirage and now Picasso Geht Spazieren are like soup stock cubes - you can't actually eat them. Yet there were, and still are, many great soups made out of them.