This is an exceptionally high quality FM broadcast, showcasing Roger Waters at his best from his "In The Flesh" 2002 World Tour.

Original Review of the Concert - from RogerWatersOnTour.com:
The British musician offered one of the best concerts than they have seen themselves in Chile, before more than 65 thousand people.

Roger Waters is closest to a living myth. A man able to create fundamental works of the history of the rock, like "The wall" or "Dark side of the moon", to bear the latent image of one of the most influential groups of the last century, like Pink Floyd, and to reproduce its sounds faithfully, without an apex of hackneyed nostalgia.

Last night, in the National Stage, before 65 thousand people, the ex- bear of Pink Floyd maintained an impressive concert of almost three hours with the best memories of his old grouping. There were time for the desvaríos nor no the lamentations. Only moments of moving intensity and real power that served to recall a discografía plagued of problematic, like desencanto, the solitude and the horror of the war.

Waters, with his 57 years, rose with a tremendous legend hills the scene. He let flow the experimentation and density that owner of an acid language did as successful, shook to the fame of hura6no and displicente with his fanatics, and in addition he showed small solistas joyitas - like "Amused to death" and "Its a miracle" - that has been maturing through the years.

Everything began to the 21,05 hours with "In the flesh-part 2" and "The happiest days of our lives", having like bottom images of the film "The wall", whose moving lírica created in 1979. Later, with that deep and felt voice that always is care, the musician interpreted "Mother" and "Another brick in the wall, part 2", reviviendo old karma of the unprotected star and the social automatism.

Then wine the turn of songs of the shady discs "final The cut" (1983) and "Animals" (1977), like "Get your filthy hands off my desert" and "Pigs on the wing", without the visual flying animal effects on the scene or inflatable, although for that reason less nonintense dolls.

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