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Tracklisting
as listed on CD packaging:
Kometenmelodie (11.49),
Autobahn (21.54),
Morgenspaziergang (Part 1) (10.10),
Morgenspaziergang (Part 2) (4.16)
Correct tracklisting:
Kometenmelodie (Parts 1 and 2) (11.49),
Autobahn (21.54),
Kling Klang (10.10),
Tanz Muzik (4.16)
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Recorded live in Dallas on 1st May 1975, performed by: Florian
Schneider-Esleben (instruments, electronics, voice) Klaus Roeder
(guitar, violin) Ralf Hütter (instruments, electronics, voice)
Wolfgang Flüer (percussion)
1998 saw the release of 'Concert Classics' (Ranchlife, CRANCH4,
CD - also available on vinyl too). Quite a curiosity - looks like
a bootleg, but seemingly legitimate - how else could it be stocked
in 'regular' stores such as HMV, Virgin, Tower, etc in such quantities?
It appears to be licenced from EMI records, though it surely has
no official clearance from Kraftwerk themselves - the quality
of the packaging design and sleevenotes is shoddy at best and
inaccurate while the track listing is also wrong. In a similar
'no mans land' to the Germanofon releases of the first three Kraftwerk
albums perhaps - though those are clearly bootlegs, mastered from
vinyl copies of the LPs. This is still quite a hard to find recording.
Well, this release is well worth getting hold of. A good quality,
full stereo sound-board recording of a 1975-era concert is what
'Concert Classics' consists of. The packaging does not give details
of the concert venue, though the recording originates from a concert
in Dallas, 1975, according to a Japanese press release for the
Japanese version of this release (re-titled 'Autobahn Tour '75'
and in a different, much improved, sleeve design).
As Ralf Hütter can be heard introducing both 'Kling Klang' and
'Tanz Musik' it's perplexing as to how the track listing can be
so inaccurate. (There are also quite a few pieces of dialogue
in German that can be heard, particularly when a part when one
of the electronic percussion devices breaks down - these all add
a certain interesting charm to the recording.) Being a live recording
it is inevitably a bit rough in places, even though it's clearly
from a mixing desk recording. The stereo mix gives a clear picture
of the instrumentation - and the unmistakable sound of vibes reveals
the presence of Karl Bartos (the sleeve packaging wrongly states
Klaus Roeder on guitar and violin).
As for the performances themselves, 'Kometenmelodie (Part 1)'
features the taped extract from 'Faust' (as discussed in the 'Live
Tapes - The Autobahn Era' article from Aktivität 7) as well as
the eerie choral sounds (courtesy of the Vako Orchestron instrument)
first introduced on the 'Radio-Activity' album too. 'Autobahn'
also sees elements of these sounds used too. 'Kling Klang' bears
only its title in common with that track from the 'Kraftwerk 2'
album - this performance is in fact a unique piece of music that
Kraftwerk featured in their 1974-1975 live set. Worth tracking
down this CD for this one track alone really, apart from live
bootleg tapes you won't find it anywhere else. The final track,
which is faded out thereby editing it slightly, is a rather laid-back
version of 'Tanz Musik'. The vibes, heard on most of the material
on this CD really make their presence felt on this track.
As a historical snapshot of Kraftwerk circa 1975 this CD is invaluable;
even at this late point (remember, this is post-'Autobahn') the
Kraftwerk live instrumentation is predominantly some synths, electric
piano, organ, vibes, flute and electronic percussion.
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